That year, Roger released a solo album, THE MANY FACETS OF ROGER, with Zapp’s sophomore LP, ZAPP II, emerging in ’82. When Clinton and Parliament-Funkadelic left Warner Brothers behind in 1981, however, which left Troutman with more control over Zapp’s creative direction. Thanks to the single “More Bounce to the Ounce,” which made its way to #2 on the Billboard R&B Singles chart, Zapp were suddenly a big deal, earning a gold record for their album. By the following year, however, they’d switched to calling themselves simply Zapp and, as a result of forging a friendship with George Clinton, ended up securing a deal with Warner Brothers and releasing their Bootsy Collins-produced self-titled album in July 1980. Finally, in 1976, Roger and his brothers Larry, Lester, and Terry “Zapp” Troutman – now calling themselves Roger & The Human Body – released INTRODUCING ROGER in 1976 on their own Troutman Bros. Roger Troutman started his career in the 1960s, releasing the songs “Jolly Roger” and “Night Time” on the indie label Teen Records under the name Lil’ Roger and His Fabulous Vels, and he continued pursuing music into the ‘70s, finding limited success but maintaining his enthusiasm nonetheless. Today we’re shining the spotlight on one of Dayton, Ohio’s finest musical exports: Zapp, the R&B group led by the late Roger Troutman. It’s Black Music Month, as just as we’ve done in past years here at Rhino, we’re celebrating the occasion by sprinkling in a number of posts where we spotlight a black artist or an album by a black artist.
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